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movies about power and influence

Escrito por em 17/10/2020

A front row ticket to human drama as seen through popular film. Street fights, bar brawls, sabotage and even death come in the wake of the two papers battling for dominance and readership. Of course, it was considered far too tart and misanthropic by audiences, became his first major box-office bomb and Paramount was so unhappy with the picture they changed its title to the seemingly more benign “The Big Carnival” just prior to its release. The casting is aces, but getting the one and only good performance out of Christensen to date, who uses that grating, whiny voice to effectively portray the sociopathic Glass, is a marvel. More likely, we’re supposed to come away resigned that lobbying is one of the things we have to put up with if we presume to live in a democracy. There are some strong turns to look out for, though: Robinson is very good as the conflicted, compromised newsman, and a pre-”Frankenstein” Boris Karloff walks away with the picture as a malevolent undercover reporter. Mackendrick directs the picture immaculately, with the film proving one of the all-time great NYC pictures, despite, or because of, being made by an outsider. BillMoyers.com asked critic and essayist Gene Seymour to pick 10 Hollywood feature films that he felt best depicted the corrupting influence of money in politics. But this movie remains an undervalued gem for its savvier observations about the political process as woven into yet another underdog-takes-on-the-power-structure story about a Washington, DC, alderman named Mays Gilliam (Rock), who through the agency of a freak plane crash, is given his party’s nomination for the presidency with the expectation that he’ll lose on Election Day and allow the party to regroup four years later. The financial hoo-hah is so bewildering that when the inevitable war between the two countries happens, Freedonia welcomes it with a big musical number. Still, Bogart’s colorful turn is worth the price of admission on its own. Here, though, the battle to find the Lipstick Killer menacing New York takes a backseat to the power struggle after the death of …

Critic David Thomson wrote, “Democracy in America is a noble hope that needs to be guarded against corruption, but compromise is the essential American way – without it, we risk dictatorship.” The folksy, charismatic Smith, Thomson contends, “is the real threat in the film” while Senator Paine “is the best-written, best-acted, and most interesting figure.”, We could use more movies showing complex, intelligent, shrewd, if somewhat soiled pragmatists like Paine practicing politics as “the art of the possible” — instead of magic charmers like Smith, who set the bar so high that when the dreams don’t materialize as we’re hyped to believe, our collective disappointment may reach the point where we forsake politics, and democracy, altogether. And credit is due to Robert Redford and Dustin Hoffman for their committed performances as reporters Bob Woodward and Carl Bernstein (how many journalists since have chosen their career based on these portrayals?

— Oliver Lyttelton, Kevin Jagernauth, Kimber Myers, Jessica Kiang, Drew Taylor, Rodrigo Perez. This week sees the arrival, after its much-lauded premiere at the Toronto International Film Festival last month, of Dan Gilroy‘s directorial debut “Nightcrawler.” The film, about an ambitious young drifter (Jake Gyllenhaal, in a brilliant performance) who finds his calling in the world of L.A. freelance crime reporting, is many things: a taut thriller, a complex character study, a stunningly-photographed portrait of Los Angeles at night, and a borderline horror picture. “Shattered Glass” is a confident work for a first-time director (though Ray has been writing scripts in Hollywood for almost two decades now), coming from someone so clearly enamored with journalism. (Rent on iTunes, Google play, YouTube, Sony). (It’s still the best Adam McKay/Will Ferrell picture hands down). 'Daredevil' and 'Deadpool' have been touted as superhero stories for grown-ups. But this isn’t just a bunch of random shit strung together (OK, sometimes it is); it works so well because Ferrell and his Channel 4 News Team perfectly jack up, exaggerate and mock the already ridiculous personas that populate locals news teams (seriously, hit YouTube or actually tune in to a few newscasts) and go for broke. Copyright © 2020 Penske Business Media, LLC. Or does he? Think, instead, of what the anarchy is directed against: An attempted power grab of the near-bankrupt nation of Freedonia by the neighboring country of Sylvania, whose stuffy ambassador (Louis Calhern) uses every foul means at hand to force Freedonia to ruin, even wooing the country’s wealthy benefactress (Dumont). The complete explanation for the shootings in Aurora during The Dark Knight Rises will likely remain a mystery, but the images from the movie itself are at least part of the picture. The film’s something of an oddity on this list, matched only by “All The President’s Men” and a few others, in that it shows the newspaper world as mostly a force for good. How Closed Theaters, Drive-In Movies, and Netflix Supremacy Are Shaping Oscar Season, ‘Chicago 7’ Vs. the World: How Aaron Sorkin’s Awards-Friendly Epic Jolted a Strange Awards Season, NYFF Director Eugene Hernandez Explains the Rollercoaster Ride to Programming a Film Festival Without Theaters, Introducing ‘Deep Dive’: Damon Lindelof and His Team Go Behind the Scenes of ‘Watchmen’, ‘Succession’: How Editing Helps Every Dinner Scene Come to Life — Deep Dive, Becoming Hooded Justice: The ‘Watchmen’ Craft Team Analyzes the Emotional, Pivotal Scene – Deep Dive, 40 Must-See New Movies to See This Fall Season, The Best Movies Eligible for the 2021 Oscars Right Now, Jessie Buckley Won’t Explain ‘Ending Things,’ but She Will Reveal What Terrified Her Most.

Are Men More Associated with Brilliance Than Women? Its depiction of a faintly sleazy New York tabloid (basically The New York Post) has in places a ring of authenticity to it (David Koepp co-wrote the script with brother Stephen, a writer at the New York Times), and for a film over two decades old, it’s strangely prescient about the situations newspapers now find themselves in. Not a comfort, exactly; but then, sour pragmatism sounds like something that should taste exactly like tonic. [A+], “Broadcast News” (1987)A romantic comedy for the smart and cynical, James L. Brooks’s “Broadcast News” somehow seems even more relevant today than it was in 1987. This is the prototype for movies about American politics in which idealism, integrity and honor are bathed in glowing light, while pragmatism, compromise and skepticism are cast in varying shades of darkness. With literally nothing left to lose, Bulworth drops his adopted neo-liberal façade in public and starts telling everybody what he really thinks of the insurance industry’s hostile attitude towards health care reform. Delineating the details of this process would seem more daunting. A loving relationship can be an oasis in uncertain times, but nurturing it requires attention, honesty, openness, vulnerability, and gratitude. How Do Movies and TV Influence Behavior? [B], “To Die For” (1995)Perhaps best remembered these days as the film that proved to everyone that Nicole Kidman was far more than just Mrs. Cruise, Gus Van Sant’s “To Die For” remains a savage and cutting satire on the quest for fame, another subject that’s only become more relevant in the years since the film opened.

And things get ugly fast. He hasn’t quite followed through on the promise he showed from the mid-to-late ‘90s, though “Collateral” and “Public Enemies” were strong efforts, but any filmmaker capable of making “The Insider” is surely deserving of our anticipation for his next effort. It is, in short, Mr. Smith Goes to Washington updated for the post-Vietnam era with a cooler and perhaps more cautious attitude towards the power of personality. (Rent on iTunes, Google play, Vudu, YouTube, Sony). Gilliam plays along with the scenario laid out by his handlers (Lynn Whitfield, Dylan Baker). This Article is related to: Features and tagged Feature, Features, Nightcrawler. A psychologist and a political scientist discuss a dozen particularly interesting films from both perspectives.

The romance is as fast-paced as the dialogue, but viewers shouldn’t overlook the contributions of the other room of journalists in the film who add character and a bit of authenticity.

Exhibit A: the acidic, bitter, and deeply cynical “Ace in the Hole,” starring Kirk Douglas as an opportunistic and shiftless journalist covering a story about a local Albuquerque man trapped in a cave trying to excavate ancient Indian artifacts.

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